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Jimenez then struck out Junior Caminero to keep the game tied. It was the fifth twin killing for the Braves in the game. Joe Jimenez entered in the eighth and allowed back-to-back singles to start his inning, but then got Nick Dini to bounce into a 5-4-3 double play. Kirby Yates issued a leadoff walk to start the seventh, but added a strikeout and then got Tristan Gray to bounce into a double play to end the frame. Three strikeouts that inning, two on the slider one of the fastball- Garrett Spain March 20, 2023 FB was really jumping and he works so well vertically. Smith-Shawver struggled with his command a bit during the second inning but was able to rein it in and locate very well in striking out the last two batters. Lowe worked a two-out walk, but Ramirez grounded out to end the inning. He allowed a single to Diaz to start the inning, but he was erased as Franco bounced to Grissom, who stepped on the bag at second at the same time he snagged the ball and then threw to first to complete the double play. Olson followed with another single that scored Grissom to tie the game.ĪJ Smith-Shawver made his first appearance of the spring in the fifth. Ozzie Albies then finally brought Ozuna home with a single to right to make it 5-4. The throw in got away and the Rays botched the rundown while Ozuna inexplicably didn’t score again. Pillar flew out for the second out, fouling off a bunch of pitches right down the left-field line and making a disgruntled Ozuna run the bases, before Grissom blooped in a single that the shortstop lost in the sun. Eflin then got Rosario to fly out and exited the game in favor of Trevor Kelley. However, the Rays got that run right back in the fourth when Walls took Nick Anderson deep on an 0-2 meatball to make it 5-3.Ītlanta’s offense got going again in the fourth. Matt Olson now leads MLB with six home runs this spring! /SrcndvN5tH- Talkin’ Baseball March 20, 2023 Wright didn’t appear to be injured and was likely on a hard pitch count, but did see a velocity drop at the end of his outing. He then ran the count to 2-2 against Manuel Margot before Brian Snitker emerged from the dugout and summoned Danny Young from the bullpen. Wright came out to start the third and retired Lowe and Ramirez for the first two outs. Grissom then brought home Rosario with a single to right to cut the deficit to 4-2. Kevin Pillar followed with a grounder to first that scored Ozuna to make it 4-1. Ozuna inexplicably didn’t score on the play, putting runners at second and third. Rosario then doubled to the base of the wall in right center in his first trip to the plate since returning from the World Baseball Classic. Marcell Ozuna reached on an infield single and moved up to second on a throwing error. The Braves answered back in the second against Rays starter Zach Eflin. Wright got Charlie Culberson to fly out to Eddie Rosario in left, but then left a breaking ball over the inner part of the plate that Diaz sent out to left for a two-run home run to make it 4-0. Jose Siri followed with a single to bring home Walls to push Tampa’s lead to 2-0. Wright retired Francisco Mejia on a grounder to start the second before Taylor Walls sent a ground ball off the third base bag for a double. He then allowed a single to Harold Ramirez, but got Manuel Margot to ground out to avoid any more damage. Kyle Wright made his spring debut and retired Yandy Diaz and Wander Franco before allowing a solo home run to Brandon Lowe on a 3-0 pitch. Vaughn Grissom had three hits while Matt Olson homered again to help the Atlanta Braves grab a 6-5 win over the Tampa Bay Rays. Contact us today to learn more about our products. You can have a look at the grilles we have available so you can get an idea of what you’d like to work with. Whether you’re into a more modern, rustic, or unique style, you’ll be sure to find what you need on our website.Īnd when you choose to “Do-It-Yourself", you’ll have the satisfaction of giving your home the fresh modernization you’ve been looking for without the added expense of paying an installer. Why are window grids so popular? Their versatile styles and shapes can match almost any theme you want for your home. You can count on us for any resources or information regarding your dream window look. We’re proud to help our customers across the nation by providing the items they want most. 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Closest matches will be displayed on a card.Your selected colour is shown along with Hex, RGB and CMYK values.Select a file on your device, upload it, and then click on each colour where a match reference is required. Crafted with a little aloha, theres a cutout in. This mischievous mix draws you in like a siren song with a blend of goji berry and blackberry reacting just so with sweet vanilla cream and sugarcane. Fans can enjoy their own piece of paradise with the new Disney Lilo & Stitch: Aloha-Ohana Scentsy Warmer. Disney Lilo & Stitch ceramic wax warmer by Scentsy Stitch shows off his cute side on this adorable warmer. Amazon's Choice Lilo and Stitch Faux Succulent in Ceramic Planter Pot, 4 x 3 x 5 Inches, Blue 4. All Auto Detailing & Car CareCar Wax and SealantExterior. 1-48 of 658 results for 'stitch wax warmer' RESULTS Price and other details may vary based on product size and color. 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We have hundreds of customers interested, so please make sure to shop as soon as it goes live on the website to ensure you get one if you plan to pick one up…Returning to the collection is the adorable warmer, Scentsy Buddies and, of course, their exclusive fragrances as Scentsy Bars: MaStitch Scentsy Warmer Shop for NEW Scentsy 2023 Stitch Collection SHOP The Scentsy Stitch Collection continues to be one of Disney’s bestselling plush characters, so we’re bringing the rest of our popular Disney Lilo & Stitch Collection back for a limited time. Scentsy Disney Stitch Lilo And Stitch New In Box Scentsy Wax Warmer. The Scentsy Stitch Collection continues to be one of Disney’s bestselling plush characters, so we’re bringing the rest of our popular Disney Lilo & Stitch Collection back for a limited time. New York: Pantheon, 1999.Ī popular account about the culture of speed, or what the author calls “hurry sickness,” emphasizing that nearly everyone is in a rush, which addresses phenomena such as speeding tickets to pushing the “close doors” button on elevators, leaving little or no time to fulfill basic human needs. Faster: The Acceleration of Just About Everything. Giddens’s theory of structuration-that people unintentionally reproduce social structures through the rhythms of everyday life-reframes time-space compression as distanciation, the stretching of social relations over the earth’s surface via complex webs of power and meaning. Written by one of the 20th century’s most influential sociologists. Berkeley: University of California Press, 1984. The Constitution of Society: Outline of the Theory of Structuration. “Human Geography at the End of Time? Some Thoughts on the Notion of Time-Space Compression.” Environment and Planning D: Society and Space 17.5 (1999): 607–620.Īn insightful paper that examines how time-space compression changes our sense of time and space and questions the common postmodern notion that the past has been erased in favor of a perpetual present rather than the end of history, this argument holds that modern experiences can be understood only in light of the inertia of the past. Cambridge, UK: Cambridge University Press, 1998.Īn overview of the nature of social change that emphasizes the spatial unevenness of propensity to change, or inertia, which itself has multiple origins.ĭodgshon, Robert A. Society in Time and Space: A Geographical Perspective on Change. Available online by subscription.ĭodgshon, Robert A. This essay offers a long-term conceptual overview of the processes that generate spatial change, noting a succession of five different systems that generated time-space compression at ever-larger spatial scales. “Geographical Change: A Study in Marching Time or the March of Time?” Environment and Planning D: Society and Space 5.2 (1987): 173–193. The introduction is priceless for its succinct and elegant synopsis of the concept.ĭodgshon, Robert A. Oxford: Oxford University Press, 1995.ĭesigned as an introductory human geography textbook, this volume contains numerous essays that demonstrate time-space compression through the analysis of transnational corporations, tourism, global cities, and international flows of pollution. A Shrinking World? Global Unevenness and Inequality. Finally, Warf 2011 presents several pedagogic strategies for teaching the subject in the classroom.Īllen, John, and Chris Hamnett, eds. Gleick 1999, a short monograph aimed at a popular audience, contains numerous insightful anecdotes about how time-space compression is linked to the rhythms of everyday life. Kirsch 1995 ties the process to modern trends in social theory, including the perceptual dimensions of space. Giddens 1984, on the theory of structuration, contains what the author labels time-space distanciation as a fundamental part of the process by which societies become differentially stretched over the earth’s surface. Allen and Hamnett 1995 has an especially useful introduction. Dodgshon 1987, Dodgshon 1998, and Dodgshon 1999 depict the process as part of the long-term evolution of society. While there are relatively few works that are concerned only with time-space compression, a number of authors have offered good introductions and overviews. More recently, cultural theorists, historians, and others interested in the perception of space have invoked the notion to understand the sense of disorientation that often accompanies periods of major technological change. In the 1970s and 1980s, Marxists, led by David Harvey, recast the process not simply as a set of technological advancements but as part of the general process of capitalist commodity production and capital accumulation, particularly the reduction in the turnover time of capital. In geography, the topic was long an integral part of the work of those who study transportation and communications systems. Time-space compression refers to the set of processes that cause the relative distances between places (i.e., as measured in terms of travel time or cost) to contract, effectively making such places grow “closer.” The idea of a “shrinking world” is not new and, in the face of rapid advances in travel, such as the jet airplane, and communications (especially the Internet), has entered into the public geographical imagination. As a result, Life began using more such photo stories, with the magazine becoming a recognized source of such photojournalism of the world’s luminaries. I come as a friend.”It was a style he learned from his 35 years in Europe, where he preferred shooting informal, unposed portraits, along with extended picture stories. It also helped Eisenstaedt create a more relaxed atmosphere when shooting famous people where he was able to capture more natural poses and expressions: “They don’t take me too seriously with my little camera,” he stated. In 1944, Life described him as the “dean of today’s miniature-camera experts.”Īt the time, this style of photojournalism, with a smaller camera with its ability to use available light, was then in its infancy. His photos were also notable as a result of his typical use of natural light as opposed to relying of flash lighting. Unlike most news photographers at the time who relied on much larger and less portable 4″×5″ press cameras with flash attachments, Eisenstaedt preferred the smaller hand-held Leica, which gave him greater speed and more flexibility when shooting news events or capturing candids of people in action. According to one historian, “his photographs have a power and a symbolic resonance that made him one of the best Lifephotographers.” In subsequent years, he also worked for Harper’s Bazaar, Vogue, Town & Country and others.įrom his early years as professional photographer he became an enthusiast for small 35 mm film cameras, especially the Leica camera. With Life’s circulation of two million readers, Eisenstaedt’s reputation increased substantially. By 1972 he had photographed nearly 2,500 stories and had more than 90 of his photos on the cover. He remained a staff photographer from 1936 to 1972, achieving notability for his photojournalism of news events and celebrities.Īlong with entertainers and celebrities, he photographed politicians, philosophers, artists, industrialists, and authors during his career with Life. The following year, 1936, Time founder Henry Luce bought Life magazine, and Eisenstaedt, already noted for his photography in Europe, was asked to join the new magazine as one of its original staff of four photographers, including Margaret Bourke-White and Robert Capa. They arrived in 1935 and settled in New York, where he subsequently became a naturalised citizen, and joined fellow Associated Press émigrés Leon Daniel and Celia Kutschuk in their PIX Publishing photo agency founded that year. While working for Berliner Illustrierte Zeitung, Alfred took over 3,500 photographs in Ethiopia, before emigrating to the United States, where he joined Life magazine, but returned in the following year to Ethiopia to continue his photography.Įisenstaedt’s family was Jewish and the oppression in Hitler’s Nazi Germany caused them to emigrate to the U.S. In 1935, Fascist Italy’s impending invasion of Ethiopia led to a burst of international interest in Ethiopia. Although initially friendly, Goebbels scowled at Eisenstaedt when he took the photograph, after learning that Eisenstaedt was Jewish. Moritz in 1932 and Joseph Goebbels at the League of Nations in Geneva in 1933. Other notable early pictures by Eisenstaedt include his depiction of a waiter at the ice rink of the Grand Hotel in St. Four years later he photographed the famous first meeting between Adolf Hitler and Benito Mussolini in Italy. He also worked for Illustrierte Zeitung, published by Ullstein Verlag, then the world’s largest publishing house. He became a full-time photographer in 1929 when he was hired by the Associated Press office in Germany, and within a year he was described as a “photographer extraordinaire.” The office was taken over by the Associated Press in 1931. While working as a belt and button salesman in the 1920s in Weimar Germany, Eisenstaedt began taking photographs as a freelancer for the Pacific and Atlantic Photos’ Berlin office in 1928. He later served in the German Army’s artillery during World War I and was wounded in 1918. Eisenstaedt was fascinated by photography from his youth and began taking pictures at age 14 when he was given his first camera, an Eastman Kodak Folding Camera with roll film. His family was Jewish and moved to Berlin in 1906. A feeling that I am completely in awe of and constantly chasing.Īlfred Eisenstaedt was a German-born American photographer and photojournalist who began his career in Germany prior to World War II.Įisenstaedt was born in Dirschau (Tczew) in West Prussia, Imperial Germany in 1898. I’m very shy by nature but when behind the camera, I get a wave of confidence that gets a hold of me like never before. “When I have a camera in my hand, I know no fear” – Alfred EisenstaedtĪ quote that I can truly relate to. And I've only begun to explore the powerful features of this delightful program. What would take hours in another program takes minutes using power search and NWP's styles. Book manuscript with hundreds of comments and tracked changes transfer smoothly.Īs an editor, I use power search + styles to quickly fix and standardize other people's badly formatted Word documents, including book-length manuscripts. Interchangeability with Word documents is excellent. Power search is amazing: you can find every instances of bold italic 12-point Arial text in a book-length document *simultaneously,* then apply a character or paragraph style to all those instances with one click. Paragraph and character styles are superbly implemented, and very fast and easy to use. Simple enough to just use powerful enough to do all kinds of amazing things. Changed: using the forward delete key (DEL) in a table will clear the cell contents instead of deleting cells.Fixed: dense comments and/or tracked changes could be incorrectly truncated when creating a printout or PDF.Fixed: certain changes in the Style Sheet view did not correctly update the palettes.
By the time Shang-Chi meets his aunt Jiang Nan (the sageous Michelle Yeoh) later in the movie, her assessment of “You are a product of all that came before you– the light and the dark,” typifies the need for both of Wenwu’s children to stop hiding and use their gifts for something serious.Īll of this pressing personal urgency pushes all involved into thwarting Wenwu’s cataclysmic quest to infiltrate the hidden magical realm of Ta Lo and release the demonic scourges barred within that speak in his head about saving his late wife. Likewise, Xialing secretly taught herself the martial arts she was denied and made her escape to a more dangerous life. In the decade since, Shang-Chi has been running away from adulthood, escaping demands to embrace his family legacies. When Shang-Chi reached 15 years old, he refused to become a killer, denied his father, and fled to America. From a young age, Wenwu strictly raised and painfully trained Shang-Chi to be his eventual heir and the greatest assassin of his league while pushing Xialing aside to an antiquated women’s place. The son and his younger sister Xialing (newcomer Meng’er Zhang) are products of a whimsical courtship between the conquering Wenwu and the ethereal guardian Jiang Li (Fala Chen of HBO’s The Undoing ). Shang-Chi is the son of the now-ancient Wenwu (Hong Kong legend Tony Leung Chiu-wai), the wielder of ten magical rings that grant him power, immortality, and symbolize his covert control of the fabled Ten Rings organization that has been in play within the Marvel Cinematic Universe since Iron Man in 2008. When Shaun uncorks his remarkable fighting abilities to defend and rescue the passengers of a city bus (hilariously streamed by Zach Cherry’s social media influencer Clev), he reveals a big bit of who he really is. We meet our titular hero, played by Canadian TV actor Simu Liu, before any costumes or magic, residing in San Francisco under the name of “Shaun.” He moves through life as an unassuming hotel car valet hanging out and gleaning off the immigrant family of his best friend Katy, played by The Farewell ’s Awkwafina. I, for one, dig that simplistic focus on the voluntary and involuntary ways Shang-Chi and the Legend of the Ten Rings draws in its oxygenated energy. And does this movie ever breathe! In this sensational origin story, we gulp and we gasp with every kinetic huff and puff of our heroes and villains embroiled in turmoil and combat. The air moving in and out of those lungs can carry words or merely the respiratory exchanges that pace the pulses of the characters in question.Įven if the advice is only spoken for a moment amid flurries of exposition and martial arts melee, neither versions of those breaths feel wasted in this new Marvel Studios entry. Our emerging hero is instructed to essentially lead with his breath. I mean it just doesn't get better than that.Filled with reverberating truisms pillar to post, there’s a notion within the cinematic tome of Shang-Chi and the Legend of the Ten Rings that I gravitated to keenly. "I met some of the most incredible people and got to pick the brains of cinematic legends and icons in Tony Leung and Michelle Yeoh and also was able to fly my parents down to LA and have them walk beside me on the red carpet in Hollywood with a poster with my face on it. "All I can be is grateful because honestly this role has changed my life," said Liu. Turns out, what director Destin Daniel Cretton was really looking for was someone who could upgrade his martial arts skills. I was nowhere near that level in my martial arts training. Going into the audition process there were all sorts of assumptions built into my mind: They're looking for a literal Kung Fu master. HOLLYWOOD - Actor Simu Liu was as surprised as anyone when he earned the title role in Marvel's newest movie "Shang-Chi and the Legend of the Ten Rings." He didn't have much of a martial arts background when he auditioned for the very physical film. 'All I can be is grateful because this role has changed my life.' Chinese Canadian actor Simu Liu joins the Marvel Universe as its first Asian superhero. |
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